et me preface this by saying that I had very low expectations going into this movie, and maybe that’s what allowed me to enjoy at least the mystery aspect. I did guess who the werewolf was then discarded that person as a suspect, so that by the end I wasn’t like HOLY SHIT OMG IT’S YOU?! but I wasn’t like, WELL THAT WAS OBVIOUS either. The clues are certainly there, but it’s easy to get distracted by red herrings. In this respect, the movie was moderately successful. Truthfully, it’s the only thing that kept me watching.
As for the characterization, well everyone seems like a type, rather than a real person, and no one’s particularly interesting, Valerie (Red Riding Hood) least of all. I’m supposed to believe this girl has a dark side, sort of, except she doesn’t. Oh you killed a bunny when you were a little girl because a boy told you to? Who the hell the cares? Give me something I can USE. The movie is not as dark or edgy as it pretends to want to be. Yes, read that again. “as it pretends to WANT to be.” Meaning it doesn’t really want to be edgy, it just wants to appear edgy. It’s not particularly sexy either. Valerie’s world mostly revolves around this guy she likes, who is about as exciting as a plank of wood. In what seems to be increasingly typical Hardwicke fashion, there’s this great love I’m supposed to buy into that I don’t because neither character has any real personality, there’s no chemistry, and there’s no true relationship development. This is something I accept from Disney films from the 1950s (ILU Sleeping Beauty), not a movie made in 2010. Notice how more recent Disney films like Rapunzel and The Princess and the Frog let the romances develop over time? You still see it coming from a mile away but at least they’re trying.
The actors (Gary Oldman notwithstanding) barely bring anything to the roles perhaps because there’s nothing there to begin with or because the director is not pushing them hard enough or because they all suck as actors. The dialogue is stilted. The storyline mostly cliché. There is some interesting stuff brought to the werewolf storyline, but the rest of it is a total loss. I had two endings in mind for Valerie, both of which would have been more interesting, neither of which happened. Because again, the movie is only pretending to want to be edgy.
The movie mostly confirms for me that Catherine Hardwicke should not be allowed near The Bitch Posse with a ten foot pole. I’m afraid that she’s going to turn it into Twilight 3 (Red Riding Hood being Twilight 2 if you couldn’t already tell), which doesn’t seem possible given the material and yet…

fter re-watching Cracks last night, I felt oddly compelled to give my thoughts on this film adaptation of Sheila Kohler’s book of the same name. I then re-considered, maybe I should just review the book — after all, I did just read it last year, so I do remember quite a bit. But then I just decided that the phrase Cracks vs. Cracks sounded better — like Spy vs. Spy, and so I decided to just do a combined book / film review a la 
