Book Review: In Zanesville

Title: In Zanesville
Author: Jo Ann Beard
Format: Hardcover
Publisher: Little, Brown and Co.
Pub Date: Apr 2011
Read: Sept 2011
Source: McNally Jackson
Why: Even though I HATE when narrators are compared to Holden Caulfield of The Catcher in the Rye, I almost invariably end up reading said books… so you know, obviously it’s working. Really though, young protagonist in a novel marketed to adults? Sold.
Fulfills Challenge? Yes
Notes: N/A

Synopsis [from jacket copy]

The beguiling fourteen-year-old narrator of IN ZANESVILLE is a late bloomer. She is used to flying under the radar-a sidekick, a third wheel, a marching band dropout, a disastrous babysitter, the kind of girl whose Eureka moment is the discovery that “fudge” can’t be said with an English accent.

Luckily, she has a best friend, a similarly undiscovered girl with whom she shares the everyday adventures of a 1970s American girlhood, incidents through which a world is revealed, and character is forged.

In time, their friendship is tested– by their families’ claims on them, by a clique of popular girls who stumble upon them as if they were found objects, and by the first, startling, subversive intimations of womanhood.

With dry wit and piercing observation, Jo Ann Beard shows us that in the seemingly quiet streets of America’s innumerable Zanesvilles is a world of wonders, and that within the souls of the awkward and the overlooked often burns something radiant and unforgettable.

Review/Thoughts:
Well, here marks another book this year that I thought would become Instant Fave that I felt only lukewarm about. In Zanesville is divided into three parts that function somewhat irrespective of each other. The characters are the same but the events of the first section hardly seem relevant after it’s over. Ditto for the second section. I was reminded a bit of Joyce Carol Oates’ I’ll Take You There, which is similarly divided into three parts that function on their own, except to be fair to Beard at least her main character is recognizable throughout. I’ll Take You There felt as if Oates had written about three different women that she was trying to convince us was the same person. With Beard, I can see how the three sections create a sketchy portrait of one girl’s early adolescence — sketchy because the book never feels fully realized but rather somewhat anti-climactic. It’s unfortunate too because I like the main character for the most part. Beard does a good job of creating this Everygirl who does seem like she could be your average American teenager. The novel also has a timeless feeling to it. I had completely forgotten this book was set in the 1970s until the narrator makes mention of a menstrual belt in the third section. The book could have easily been set in present day because the narrator’s emotions and development are relatable. But these positive qualities never really make up for the fact that the novel doesn’t really seem to go anywhere. What is this novel moving toward exactly? I felt unsatisfied. I cared about the characters, but the author didn’t give me much of a storyline to care about. Perhaps the problem is that the sections act independently of each other, and this makes building toward something big(ger) difficult. All in all, the novel felt incomplete, and while I am not necessarily opposed to a novel where not much happens (um, The Catcher in the Rye, HELLO?), it just doesn’t work here. The other elements of the novel aren’t strong enough to counteract that.

Final Verdict:

Book Review: The Art of Fielding

Title: The Art of Fielding
Author: Chad Harbach
Format: Advance Reader Copy
Publisher: Little, Brown & Co. | Hachette
Pub Date: Sept 2011
Read: July 2011
Source: BEA
Why: As I passed through the Hachette booth, this book was placed into my hands. It sounds almost mythic when put that way, but honestly, I knew NOTHING about this book going in and initially thought, why the hell did I take this? Maybe I should have said no and given someone else a chance to get a copy. But you know what? Now I’m glad that woman put this book in my hands.
Fulfills Challenge? Yes
Notes: Something that I’ve left off some of my baseball-related posts is that there was a period of time after I became of fan of the sport that I didn’t watch it a whole lot, that I was only marginally interested. For example, when the Yankees won the World Series in 2009, the only games I watched were the postseason games. Why? Because for three years I worked the late shift at Barnes and Noble, which prevented me from seeing most games. In fact, to catch some of the crucial postseason games that year, I had to make an excuse to leave work early. Being unable to really watch baseball, the sport lost some of its stranglehold on me. Why am I bringing this up now? Because my reading of this book seems to have coincided with a resurgence of love for the game. It’s more likely that I chose to read this book when I did because I felt the re-kindlings of love, but regardless, this book seems to have arrived at precisely the right moment in my life.

Review/Thoughts:
This book is getting a great deal of hype and with good reason. I want to do this a little differently and talk about the books flaws first because I’d rather end on a positive note than a negative one. I did really love this book, and to end on the flaws might imply otherwise, especially since it usually takes me longer to explain what I didn’t like about a book than what I did. So let’s go!

Synopsis from the jacket copy:

At Westish College, a small school on the shore of Lake Michigan, baseball star Henry Skrimshander seems destined for big league stardom. But when a routine throw goes disastrously off course, the fates of five people are upended.

Henry’s fight against self-doubt threatens to ruin his future. College president Guert Affenlight, a longtime bachelor, has fallen unexpectedly and helplessly in love. Owen Dunne, Henry’s gay roommate and teammate, becomes caught up in a dangerous affair. Mike Schwartz, the Harpooners’ team captain and Henry’s best friend, realizes he has guided Henry’s career at the expense of his own. And Pella Affenlight, Guert’s daughter, returns to Westish after escaping an ill-fated marriage, determined to start a new life.

The reason I’ve brought this up (when usually I ignore the synopsis in my reviews) is that it relates back to a couple of the problems I had with this book. First and foremost, of the five characters, only four of them get the close third-person treatment. The fifth is always seen through other characters’ eyes, which ultimately does the novel a disservice. The character given the shaft is Owen, the gay roommate and teammate who gets involved in a dangerous affair. He is, for all intents and purposes, voiceless. Why does this matter? Because ultimately Owen’s homosexuality seems to serve as a plot device for the other characters, or should I say, one character in particular. It almost doesn’t matter that Owen is gay except that it serves as a major plot point for another character’s story arc. In fact, the dangerous affair in question isn’t really dangerous for Owen so much as it’s dangerous for the person he’s involved with. This wouldn’t have bothered me one bit if he hadn’t been given the jacket copy treatment, which seems to suggest that Owen is given more story than he actually is. To have this gay character in the novel but never really address his struggles as a gay man seems a little strange to me. I understand that everyone’s coming out story is different and some people are able to face the world better than others due to family support, resources, etc. But this is a guy who chooses to be on his college baseball team. While I do appreciate that Owen himself is not reduced to stereotypes, the fact that he’s able to join this baseball team and no one, not a SINGLE player, gives him grief for his sexual orientation seems painfully unrealistic to me. I’m not saying all the players should have been assholes, as that would have been just as stereotypical, but I have a hard time believing that not one person would have been a close-minded jerk about this situation. I would have loved to see how that played out, how Owen and the other team members dealt with it, etc. Even the most liberal colleges will have students who are not liberal or open-minded. Why not show that? There was an opportunity to give this character a more multi-faceted storyline to complement his multi-faceted personality, but unfortunately that opportunity was passed up.

And then there’s Pella (here’s where my own biases come in, and I fully admit that). It drove me nuts that she not only wasn’t into baseball but was rather dismissive. Yes, I know not everyone likes baseball (or sports even), that there are many women who don’t get it and will never get it. But (BUT!) she’s also the only woman in a novel full of men (there are a few very minor female characters, but she’s the only major character who is female). For the love of all that is literary did she have to be the only woman AND averse to sports? I don’t wish to compromise her character, but if there had been other female characters to balance it out, I’d be grumbling a lot less. And of course, the fact that she is the only female character in a sea of males is problematic as well, but I did feel that her character was fully developed. Though she was important to the others’ stories, she still had her own motivations and demons to fight. We were able to get inside her head and understand where she was coming from because she was given the close third person treatment, unlike Owen. So although I totally wish she loved the sport as much as the guys in this novel, she is actually given much fuller treatment than Owen.

The final problem is the ending. Toward the end things started feeling more rushed. The novel is a little over 500 pages, so I don’t see what harm another 10-20 would’ve done. I know, I know, telling the reader too much runs the risk of spoon-feeding him or her, but dammit, certain conflicts just seemed to resolve themselves without explanation. Oh, you were adamant about not taking that job before but now you’re cool with it? Why? What brought on the change of heart? Oh you two broke up/had a fight and some major shit went down in the interim but hey, you’re back together now like it’s nothing! I’m sorry, what? What the hell happened in those two months the novel decided to leave out? Don’t get me wrong, I actually loved the last few chapters and loved the ending itself, but those missing months … I NEED THEM BACK. The conflicts were not unresolvable, so I’m not complaining about the resolutions themselves, but these were very real problems that needed to be dealt with, not just skimmed over.

Alright, so enough negativity, what did I love about the novel? Well, it only took me 3 or 4 days to read this book despite its heft. 500 pages? Pssh! They fly by. I probably could have read this book in even less time to be honest. The novel does a lot without trying too hard, which is part of the problem I have with a novel like The Corrections for example. It’s not that it’s not good, it’s that you can feel Franzen exerting his authority on every page. There is none of that here. The book feels effortless but still meaningful. It seems almost unbelievable that a book about baseball could be so relevant and offer this much insight, but of course, baseball is just the lens here through which we observe the many facets of human behavior. You can tell that Harbach knows what he’s talking about because the book is firmly rooted in baseball, but he never bores the readers with too many details that will read like a foreign language if they’re unfamiliar with the sport. People who aren’t fans of baseball can still fully appreciate the book and take something away from it.

The characters are flawed but sympathetic all the same. Their motivations are complex, as they should be, and not always fully understandable, in the ways that sometimes we’re a mystery even to ourselves. Their experiences are vastly different, and I can’t imagine that there isn’t at least one character for most people to relate to on some level, not that I think it’s absolutely necessary to relate to characters, but it’s a complaint many people have so there you are, a novel with something for (mostly) everyone. The strengths of this novel far outweigh any of the flaws I mentioned, so please go out, buy it, read it, love it.

Final Verdict:

Harry Potter, Books 4 and 5


Harry Potter and the Goblet of Fire
I CAN HAS EDITOR PLEASE?! What. A. Mess. In GOF, the mystery is so intricate, it borders on convoluted. Oh what the hell, it IS convoluted, and not always plausible. Barty Crouch’s personality doesn’t jive with his actions. You’re a hardass and a TOTAL stickler for the rules, you’ve renounced your son for his death eater ways, but you let your wife convince you that it’s a good idea to break him out of Azkaban? IS THIS FOR REAL? His wife takes polyjuice potion the entire year she’s in Azkaban under the guise of her son. Um… doesn’t polyjuice potion need to be brewed once it’s finished? What the hell, did Barty stick her in there with a cauldron’s worth? I’m supposed to believe Winky the House Elf would actually have the gumption to make suggestions regarding Barty Crouch, Jr.? Why did Voldemort need to wait until the final round of the Triwizard tournament to use Harry? I mean wasn’t that kind of risky? Despite Fake Moody’s efforts, Harry might not have won. What then? Really, couldn’t you have just turned Harry’s comb into a portkey and called it a day? Oh wait, my bad. Storylines have to take an entire school year or else they’re no good. SORRY FOLKS, GO BACK TO YOUR READING.

Harry Potter and the Order of the Phoenix
Oddly enough, OOTP seems to suffer from the opposite problem of GOF. Still entirely too long but with very little information contributing to the central plot. Hundreds of pages go by before we’re reminded that Oh, right! there’s a SECRET WEAPON out there. Our clues never go beyond Harry walking and reaching toward a door. Oddly enough this is exactly how I felt sitting in the movie theater. I enjoyed the film and even went to see it a second time, but the prophesy, once revealed, is sort of anti-climactic (in fact, I find it utterly ridiculous that Harry couldn’t figure out for himself that he’d probably have to kill Voldemort himself IF ONLY because this guy keeps coming after you again and again. I mean really, WHAT DO YOU THINK IS GOING TO HAVE TO HAPPEN?!). Also, um, why wasn’t anyone from the Order patrolling the ministry after dark? Or was that whole fight a lot earlier in the day than I thought? Also, I’m not buying the excuse for why Voldemort didn’t just go get the prophesy himself. One of the greatest wizards of all time can’t figure out how to get in and out of the ministry after dark without being seen? I can just see Voldemort being all like BITCH, PLEASE! Meanwhile, the rest of the novel is just…SO MUCH, and could also use a good dose of editing. I find myself interested, but not entirely sure why X, Y, or Z matters or moves the plot forward, even over the stretch of the series.

In other news, Snape continues to be an insufferable asshole. And here’s hoping CAPSLOCK!Harry is gone for good.

Despite my criticisms, I did enjoy both books, but I do think they would have been a lot stronger if they had been trimmed down.

Book Review: Elliot Allagash

Title: Elliot Allagash
Author: Simon Rich
Format: Trade Paper
Publisher: Random House Publishing Group
Pub Date: 2010; this edition: 2011
Read: Aug 2011
Source: Borders
Why: It seemed like it would be funny. The author was a Harvard student (who as far as I can tell was actually there at the same time as me, not that I noticed because I’m oblivious when it comes to other people’s existence) and editor-in-chief of the Harvard Lampoon
Fulfills Challenge? No
Notes: I am just now remembering that I was put off by the author’s Rumpus interview in which he said Borges (as well as Joyce and Pynchon, or at least V.) “sucked” and that the books were “boring and sloppy and plotless.” I’ve only read Borges, whom I enjoyed once I wasn’t reading him in Spanish (i.e. I finally understood what was going on), but I find this sort of assessment a bit thoughtless and flippant. He goes on to say that “By the time I got to college I had stopped reading books because I wanted to “be cool” and started reading books simply because I wanted to read them” which is awesome except for the fact that in college you end up reading plenty of stuff you have no desire to read. It comes with the territory, especially at a school that has core requirements as Harvard does. The good news is I’d forgotten this interview until today, and so my feelings on it were not colored by it whatsoever.

Synopsis [from the jacket copy]:

Painfully shy and physically inept, Seymour Herson is the lowest student on the social totem pole at Glendale, a private school in Manhattan. But Seymour’s solitary existence comes to a swift end when he meets the new transfer student, Elliot Allagash, evil heir to America’s largest fortune. Bitter and bored with Glendale’s pedestrian surroundings, Elliot decides to take up a challenging and expensive hobby: transforming Seymour into the most popular boy in the school. With Elliot as his diabolical strategist, investor, and unlikely best friend, Seymour scores a spot on the basketball team, becomes class president, and ruthlessly destroys his enemies. Yet despite the glow of newfound popularity, Seymour feels increasingly uneasy with Elliot’s wily designs. For an Allagash victory is dishonorable at its best, and positively ruinous at its worst.

Review/Thoughts:
It took me only 2 days to read this book, and it probably wouldn’t have even taken that long if I hadn’t been reading Harry Potter and the Order of the Phoenix and Pretty Monsters at the same time. I flew through 70 pages on the train ride back and forth between my house and Prince St. without even realizing it. The book is light and mildly entertaining though not that funny. It reminds me a bit of The Cheese Monkeys except that Kidd’s novel, though not a masterpiece, is better written. Elliot Allagash’s schemes are ridiculous and unbelievable but inventive. Eventually it felt as though I was reading the book for the schemes themselves because everything else about the novel is fairly predictable. You can tell where this is headed almost from the boys’ first interaction. If I’m being completely honest, you can tell where the book is headed just from the copy. Elliot and Seymour aren’t particularly well-developed, functioning mostly as stock characters or archetypes. Elliot in particular seems utterly devoid of humanity, and not just because of his sociopathic tendencies. There’s a scene where Elliot’s father tells Seymour about Elliot’s mother, but what does the reader gain from this revelation? Absolutely nothing.

If you don’t expect much from this book, it’s a decent way to pass the time. I’d probably recommend borrowing over buying it though.

Final Verdict:

Book Review: Boys and Girls Like You and Me

Title: Boys and Girls Like You and Me
Author: Aryn Kyle
Format: Trade Paper
Publisher: Scribner | Simon & Schuster
Pub Date: 2010; this edition: 2011
Read: Jul 2011
Source: Posman Books, Grand Central Station
Why: mostly I liked the paperback cover
Fulfills Challenge? Yes.

Review/Thoughts:
Simply put there are some good stories in here but even the good ones don’t stay with you for very long. It hasn’t even been a month since I finished the book and I can’t remember a single story save for the first one “Brides” which I read months ago. I had to revisit the book in order to write this review. I did like “Nine” though the ending was devastating. “Femme” was interesting but not really a short story. I appreciated “Sex Scenes from a Bookstore” if only because I worked at a bookstore and know how customers can be real assholes sometimes but the story itself didn’t do a whole lot for me. “Economics” seemed pointless. “Captain’s Club” was all right. “A Lot Like Fun” had its moments. “Company of Strangers” had potential and I liked the ending but not the rest of it. “Take Care” was strange and unsatisfying. For the most part, I liked “Allegiance.” And the eponymous story was quite simply “meh.” When I finished reading the collection, I gave it 3 stars because I guess I thought it was okay overall but the fact that I couldn’t really remember anything makes me question those initial feelings (it also makes me wonder whether I should write a book review immediately when everything is fresh or wait a bit for everything to settle, but that’s for another post).

Unfortunately what I do remember quite clearly from this book is this line: “Tommy stared down at her knees, white and creamy as two pieces of fruit.” I feel bad pulling that line out because Kyle’s writing for the most part is solid, but that sentence rankled and is the one thing I remember as being utterly ridiculous. I get the whole show don’t tell thing. I also get that you can sometimes try too hard to show in a way that isn’t cliche and end up with knees looking white as pieces of fruit (because creamy, white fruits are oh so common…do they look like the inside of a banana? does that qualify as white now? still shaking my head over this one).

Final Verdict:

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